The album has a ballad feel with tinges of country, acoustic and lovely soothing harmonies a foundation of cellos and violins, garnishing the solemn themes of communion and the love of God…
There is also the sampling and synthesizing of other sounds and pitches, coupled with the bass-y undertones and a chill beat contrasting with the theme of die-hard christianity. Damboomsha further increases gusto when…
This F sharp major rnb piece with a flavour of pop is quite Neyo-esque in it its rnb qualities, as opposed to a Fred Hammond or BoysIIMen kinda rnb. It gets you on your feet. The lyrics are poetic and really cool, on a spunky beat…
The acoustic piano on B major gives this piece such an awareness vibe; you just know this is good music. Guvna B sings the refrain in a solemn manner, and then the rap follows, echoing the message of casting our cares on God with the same gusto…
Okey Sokay consistently plays with infectious riffs at the end of the lines of the chorus.. I love the distant feel of the back ups, their sometimes rhythms and blues-esque responses at the refrain and their choralesque halleluyahs…
This dirty south flavoured rap piece with through-the-fire-Chaka-Kahnesque sampling and panning vibes, ohs from the back ups and great alto vocals by Anita Jini is popping…
This album is a well of musicality and God presence, beautiful modulations, phonetic yum, vocal and lyrical dexterity. It so rich, so sweet, and complete, like the voice of an angel.