The acoustic piano on B major gives this piece such an awareness vibe; you just know this is good music. Guvna B sings the refrain in a solemn manner, and then the rap follows, echoing the message of casting our cares on God with the same gusto…
Okey Sokay consistently plays with infectious riffs at the end of the lines of the chorus.. I love the distant feel of the back ups, their sometimes rhythms and blues-esque responses at the refrain and their choralesque halleluyahs…
This dirty south flavoured rap piece with through-the-fire-Chaka-Kahnesque sampling and panning vibes, ohs from the back ups and great alto vocals by Anita Jini is popping…
This album is a well of musicality and God presence, beautiful modulations, phonetic yum, vocal and lyrical dexterity. It so rich, so sweet, and complete, like the voice of an angel.
The acoustics on the grand piano are heavenly. The lead singer’s breathy vocalisation comes in, ohs buttering me up for more sweetness in the second…
With each take of the bridge, another layer of harmony, drums, bass and lead guitar is added, making the song even more glorious…
The arpeggios on the piano, the worshippy rock and Meredith’s signature riffs make this song unforgettable to me. The bass on this piece is magnificent. It’s so deep and majestic…
Enjoy this igbo folksy tune in its simplicity…Tiana’s adorable voice comes in chiming…
It’s like starting your day fresh and new, right in the middle of the day…It is so beautiful as Yoma Dodo’s mellifluous voice continues, steady at ‘I feel the anointing, like rain…
